Blog

  • Through the lens of a City in a Garden

    Through the lens of a city in a garden, I find myself seeing more closely what surrounds me. In Singapore, nature and architecture exist side by side - trees rising alongside glass and steel, greenery woven into the structures we pass each day.
    Working with Dendritic Agate, I began to notice similar landscapes within each stone. No two are alike. Each holds its own quiet scene.
    This collection is an exploration of that relationship - between what is found in nature and what is shaped by hand.
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  • The discipline of repetition

    gemstones in jewellery design

    We are already in April, and I find myself wondering where the time has gone. And yet, thee past months have been quietly fruitful. At the bench, I return to the same movements each day; refining, adjusting, beginning again. Some gemstones wait years before becoming jewellery. Others speak almost immediately. Over time, I have learned to trust in this rhythm. Repetition is not stagnation. It is where something deeper is formed - in the work, and in us. 

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  • The hidden glam of jewellery making: Growing in virtue through craft

    The hidden glam of jewellery making: Growing in virtue through craft

    What you see on my website is the finished pedant. What you don't see are the two failed attempts before it. The loose settings. The scrap silver melted down and started again. Jewellery making has taught me that the real glamour is hidden - in the repetition, the humility, and the quiet perseverance to try again. There is always a hidden life behind every beautiful piece. And perhaps, behind every beautiful life too.

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  • Finding joy in ordinary days

    February begins with a clear bench and steady studio days. With unfinished projects completed and new custom work underway, this month is about finding joy in ordinary work, small progress, and everyday rhythm.

    Bench view
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  • January: Beginning again

    Jewellery studio practice

    January isn't about starting over, but about beginning again - returning to the bench, finishing what was left unresolved, and allowing ideas the time they need to mature. In the studio, this means working slowly and intentionally, clearing space, and letting process lead the way as contemporary jewellery takes shape.

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  • The Art of Noticing: Gratitude & setting intentions for the New Year

    The final weeks of December invite a slower rhythm - a time to notice the small moments that shaped our year and to recognise the quiet gifts we often overlook. This reflective season leads naturally into setting gentle intentions for the coming year. Through the stories behind each piece I create, I'm reminded that jewellery is more than adornment. It holds memory, meaning, and hope. As we step into 2026, may we carry gratitude, clarity, and the art of noticing with us.

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